Wednesday, February 26, 2020

Blog Post #7--CCSS for Reading Literature and CCSS for Reading Informational Texts and NES text pages 1-87


When it comes to the CCSS, I am quite surprised that there are only a few specific texts that are required or recommended to teach. Nothing dictates that ninth graders must read Romeo and Juliet. There is no requirement to teach Shakespeare in general. The literature itself serves as a medium to teach analysis, critical thinking, and organizing thoughts into a logical order. Informational texts create a more specific goal as students need to be able to evaluate claims and arguments of texts while certain informational texts are highlighted: the American Constitution, the Declaration of Independence, the Gettysburg Address, and more. There is an emphasis on the ability to recognize the importance of historical texts that created/formed the USA.
The standards across all grades are relatively similar. The type of analysis, critical thinking, and organization becomes more complex as students proceed through secondary, but students are only building on knowledge they have gathered from previous school years. Only a few points have dramatic change while still keeping a general theme for the type of analysis and goals for the students.
The NES emphasizes studying these ideas and knowing how to make sense of pieces of text but there is a deficient perspective of analyzing pieces for themes and arguments. Teachers are trained to recognize meaning for pieces but are rarely taught historical texts that are required according to the CCSS. Teachers are taught literature from a wider variety of time periods, genres, and localities.

Wednesday, February 12, 2020

Writing and Language Presentation Handout


The Writing Revolution: A Guide to Advancing Thinking Through Writing in All Subjects and Grades
By Judith C. Hochman and Natalie Wexler
Why this Book:
This book gives detailed examples and activities that a teacher can do in any classroom that are proven to help improve students’ writing abilities which will then improve other skills such as: viewing, speaking, listening, reading, and thinking.
Outline:
I)        Chapter 1: Sentences
1)      Use sentence activities to teach grammar and conventions.
2)      When introducing a new activity, begin by modeling it and having students practice it orally.
3)      Have students practice activities with sentence fragments, scrambled sentences, and run-on sentences to grasp the concept of a complete sentence.
4)      Familiarize students with the four sentence types – statement, command, question, and exclamation – to equip them to vary their sentence structure and create effective topic and concluding sentences.
5)      Have students develop questions about texts or pictures to spur them to read closely and deepen their content knowledge.
6)      Give students sentence-stem activities with but, because, and so to enable them to think critically and to use and understand more complex sentences in their writing and reading.
7)      Have students practice beginning sentences with subordinating conjunctions (although, since, etc.) to familiarize them with the syntax used in written language, help them extend their responses, enhancing their reading comprehension, and provide a way to create interesting topic sentences.
8)      Introduce students to appositives to help them create effective topic sentences and give a reader more information.
9)      Have students practice sentence combining to teach grammar and help them create longer sentences using varied structures.
10)   Embed sentence activities in the content you’re teaching as much as possible to check students’ comprehension and deepen their understanding.
II)      Chapter 2: Sentence Expansion and Note-Taking
1)      List question words on a wall chart in this order: who, what, when, where, why, and how.
2)      Provide kernel sentences that express complete thoughts but are not commands or questions.
3)      Have students start expanding sentences using the question words when, where, and why.
4)      Teach students how to reduce text to key words and phrases, abbreviations, and symbols to help them process what they have read and take notes more efficiently.
5)      Have students write answers to question words in the form of notes on dotted lines only, and write their expanded sentences on solid lines only.
6)      Have students begin their expanded sentences with the answer to when if it is one of the question words provided.
7)      Make sure that students’ expanded sentences contain all the information in the responses they’ve noted on the dotted lines.
8)      Use sentence expansion activities to help students anticipate what readers need to know.
9)      Use sentence expansion activities to check students’ comprehension of content
III)     Chapter 3: One Step at a Time
1)      Writing places heavy demands on the aspects of cognition known as executive functions and working memory.
2)      Break the writing process down into a series of four steps – planning and outlining, drafting, revising, and editing.
3)      Spend the most instructional time on planning and outlining and revising.
4)      Students don’t need to take every piece of writing through all four steps, but they shouldn’t stop after the drafting step – they should always revise and edit.
5)      Before students can plan a piece of writing, they need to identify the topic, the audience, and the purpose
6)      Introduce students to the meaning of expository term such as enumerate and justify to help them understand the purpose of an assignment or a prompt.
IV)    Chapter 4: First Steps in Planning
1)      An outlining format should be linear and simple, enabling students to rank material in order of importance, eliminate irrelevant information, and put points in a logical order.
2)      To help students understand the concept of a topic sentence, have them distinguish topic sentences from supporting details, generate detail sentences, match details with the appropriate topic sentence, and eliminate the least relevant detail sentences.
3)      Build on students’ knowledge of sentences to introduce the three strategies for constructing topic and concluding sentences: sentence types, appositives, and subordinating conjunctions
4)      Have students practice writing topic sentences from notes you provide.
5)      Guide students through the process of creating non-repetitive concluding sentences.
6)      Have students convert a paragraph you provide into an SPO to help them grasp the structure of a paragraph.
7)      Model the process of creating an SPO as a whole-class activity: brainstorming or relating details and crafting a topic sentence, putting details in categories or a logical sequence, writing them as notes on the dotted lines of the SPO, and generating a concluding sentence.
8)      Have students create their own SPOs and covert them in draft paragraphs.
V)      Chapter 5: Putting Flesh on the Bones
1)      Revising, or making structural improvements to a draft, should be done before editing, which consists of correcting mechanical errors.
2)      Before you have students try to revise their own writing, have them practice on bare-bones unelaborate paragraphs that you provide.
3)      To create a draft of a paragraph, have students transfer their topic and concluding sentences from the SPOs onto a sheet of paper and convert the notes for their detail sentences into complete sentences.
4)      To help students revise their drafts, remind them to use sentence expansion, sentence types, and subordinating conjunctions to vary their sentence structure.
5)      Encourage students to use vivid and precise words in the revision process.
6)      Have students practice using the various types of transition words to signal the connections between their ideas and create smoothly flowing prose.
7)      Help students incorporate quotations by having them select the text to be quoted carefully, reduce it to note form to ensure they understand it, and frame it with an appropriate introduction and explanation.
8)      Make sure your students are familiar with proofreading symbols so that you can give them feedback briefly and efficiently.
VI)    Chapter 6: Summarizing
1)      Summarizing builds on skills students have developed in sentence-expansion activities and in creating SPOs
2)      Before asking students to summarize, make sure they have sufficient knowledge of the topic to understand the text you’re asking them to summarize and that they understand the intended audience, purpose, and format.
3)      Once students are familiar with sentence expansion, you can have them summarize a text in a summary sentence.
4)      Students who have been introduced to the SPO can use it to summarize a specific text.
5)      Level 2 students can create summaries using the Combined Outline, which uses the summary sentence on the top half of the template as its topic sentence and requires students to provide additional information for the detail lines.
VII)  Chapter 7: Moving on to Compositions
1)      Before trying to create MPOs, students need ample experience developing topic sentences, writing supporting details in note form, and constructing coherent paragraphs.
2)      Level 1 students can use these skills to create simple three- or four-paragraph MPOs for book reports and biographies.
3)      Students who are ready for multiple-paragraph writing but still need more support can use the Transition Outline, which has them write topic sentences for each paragraph.
4)      Introduce students in Levels 1 and 2 to MPOs by modeling the process of creating one.
5)      Assign topics to students who are still learning to create MPOs and provide guidance in selecting a topic for more experienced students
6)      If students’ MPOs require independent research, have them commit to a schedule with deadlines for each step of the process.
7)      Provide students with models of thesis statements that fit the type of MPO they’re constructing, and have them include a plan of development that maps out the structure of the composition
8)      Have students fill in the Main Idea and corresponding Detail boxes for each paragraph of the MPO in note form.
9)      To prepare students to write introductory paragraphs, introduce them to the GST formula – incorporating general, specific, and thesis statements – and have them practice distinguishing among and creating the three types of statements.
10)   Have students reverse the formula to TSG for the conclusion.
11)   Have students convert their completed MPOs to draft, revise them by varying sentence structure, and use transitions to link paragraphs and sentences.
VIII)      Chapter 8: Take a Stand
1)      Understand the difference between fact and opinion.
2)      Present a claim using emphasis, illustration, and conclusion transitions to underscore an important point, provide an example, or indicate they’re coming to the end of their argument.
3)      Use conjunctions such a but, subordinating conjunctions such as although, and change-of-direction transitions such as however, to signal that they’re introducing a different point of view.
4)      Use nouns and verbs that are well suited to argumentative writing.
5)      Integrate quotations with appropriate introductions and explanations.
6)      Determine which piece of evidence is the strongest and therefore should be mentioned last.
7)      Use the SPO to plan two paragraphs presenting opposing points of view and evidence to support them.
8)      Use the MPO to plan pro-con essays that present two points of view and supporting evidence in a neutral manner.
9)      Use the MPO to plan four- and five-paragraph argumentative essays that take a position backed by evidence.
IX)    Chapter 9: A Gauge and a Guide
1)      When assessing student writing, be aware of the factors that can interfere with an accurate picture – such as a student’s difficult decoding or understanding the text used as a prompt and the frequency of mechanical errors.
2)      Administer brief independent writing assessments in response to a prompt or a text three times a year to measure students’ independent writing ability.
3)      Assess students’ ability to develop outlines and to revise their work.
4)      Use the Single Paragraph Checklist, Independent Writing Rubric, or Independent Writing Tracker to record individual students’ progress and that of the class as a whole.
5)      Administer diagnostic assessments two or three times a year to gauge whether students have mastered the specific strategies you’ve recently taught them.
6)      Use data from assessments to help set your objectives for the class as a whole and differentiate instruction to meet students’ individual needs.
7)      Maintain a folder or portfolio of each student’s work to track progress made over the year.
X)      Chapter 10: Putting the Revolution into Practice
1)      To decide how long to spend of a particular TWR strategy or set of activities, you’ll need to use your own judgment about your particular students’ needs and abilities.
2)      By weaving TWR strategies into regular instruction and embedding them in curricular content, you’ll be able to use writing instruction as a powerful teaching tool.
3)      Continue using TWR strategies that you have already taught, alongside new ones that you are introducing.
4)      All students, regardless of grade or ability level, should begin with TWR sentence-level activities and practice all of the scaffolding steps that lead to creating outlines.
5)      Expect students to revise their own work and unelaborated paragraphs regularly. Give feedback that draws on the sentence strategies students have learned.
6)      Use several strategies concurrently while teaching a single book or topic.
7)      Differentiate TWR activities for students who are struggling or are racing ahead, without altering the basic form of the activity or using different content.
8)      Use TWR’s pacing guides, in combination with beginning-of-the-year assessments, to determine goals for the year.
9)      Note that the pacing guide for each grade incorporates all TWR activities described as having been introduced in previous grades.
Challenges:
Although full of examples and ways of assessing students’ abilities, the book repeatedly emphasizes that teachers are the only one who can judge what students need to work on and must learn when to use the different activities.

Monday, February 10, 2020

Visual Literacy Presentation and Handout



Outline:
Chapter 1: Literature Review
Children born into digital world may be tech savvy, but they are not visually literate.
Many definitions reflecting background of definers, but there are common threads. Common threads are the ability to produce, understand, and analyze visual messages.
Chapter 2: Theories of Visual Literacy
Visual literacy as communication process with message, sender, channel, and receiver.
Dual Processing Theory: two separate processors for verbal and visual information.
Multimedia learning takes advantage of dual processing theory by using both visual and audio.
Chapter 3: Pedagogical Strategies of Visual Literacy
High-Order Questions need to be taught to teachers. They are often open-ended questions that allow the students to think more in depth.
STW (See, Think, Wonder) is similar to Higher-Order questions as they allow for students to have a more structured way of examining a text
Drama can be used to develop visual literacy by having students act out scenes or parts of scenes from plays or books.
Chapter 4: Cognitive Information Processing Theory
Examines how schema is formed and how brains process information that allow for better retention.
Cognitive Load Theory: when information presented to the working memory is overwhelming. Instruction can either increase or decrease cognitive load.
Chapter 5: Motivation and Affordances
Motivation Affordances are cues in the lesson that would make the learner want to start and/or continue with a given task.
Affordance in terms of visual literacy are cues in the design of the lesson that makes the learner intuitively understand (e.g. highlighting, white space, color, bold, italicize, etc.).
Chapter contains guidelines for how to better motivate students and use affordances.
Chapter 6: Principles and Guidelines to Visual Literacy
Everything is lessons and presentations needs to be purposeful.
Chapter 7:  Students with Special Needs
Visual literacy needs to make allowances to special needs students as they may have difficulties (e.g. visually impaired, hearing deficient, learning difficulties)
Chapter 8: Physical Characteristics of a Classroom Environment
The classroom light, window space, decorations, and seating arrangements all visually impact students and how they learn in the classroom.
Chapter 9: Copyright, Fair use, and Ethical/Cultural Considerations
Most anything can be copyrighted and thereby can’t be used without permission.
Plagiarism is a major issue where people take other’s work and pass it off as their own work. Anything can be plagiarized, even if it is not copyrighted.
Chapter 10 and 11: The Role of Visual Aids in Health Communication & Visual Literacy and Health Literacy
Health industry uses images to explain things (e.g. signs on how to wash your hands or pamphlets that explain a specific treatment) and dissuade certain behavior (e.g. images on cigarette packages that depict the consequences of smoking).
Industries use visual media persuade people to eat unhealthy food.
Why this Book:
Free on Kindle unlimited
Fairly short read (can get through in a couple hours)
Teaching Ideas and Implementations:
                STW Questioning – Chapter 3
                High-Order Thinking Questions – Chapter 3
                Split Attention, Redundancy, and Modality – Chapter 4
                Guidelines – Chapter 5 & 6
Challenges:
                Book does not teach how to teach visual literacy but focuses on regular teaching practices and integrating visual literacy.
Cool Information:
                Multi-Model: encourages use of multiple formats of learning (listening, reading, viewing)
               
Teaching is a visual literacy so pay attention to what you teach, where you teach it, and how you teach it.

Blog Post #6 - CCSS for Writing and Language and NES 88-129

Common Core State Standards (CCSS) for writing shift from Grade 5 to Grade 6. Grade 5 focuses on students being able to structure a paragraph and essay of their own opinions in an expository piece as well as develop narratives. After Grade 6, the focus shifts to more argumentative and persuasive essays while expanding on expository papers that are more complex than before. Although Narratives still take part in the type of writing, in schools, I find there is little to know emphasis on narrative and creative writing as they are not deemed as important to teachers for future development and success in school and work. Most of the time, this is the case, but I find being able to make one's own narratives assists in creating the students' abilities to think and imagine situations as well as solutions to problems. Outside an ELA classroom, the writing standards build upon ideas of conducting research and expressing the research as well as the implications of said research in the form of a paper, which also includes graphs and visuals. Producing visual literacy is a part of writing/creating a piece of text/literature. 
In terms of language, CCSS encompasses writing and speaking with an emphasis on knowing the proper use of language and understanding why certain patterns of sentences and certain words/phrases may be more beneficial. Sentence variety, which was something my teachers frequently discussed in secondary school, is made to not only know the structure of different base sentences and clauses but being able to differentiate the best type of sentence to use to express an idea. 
Both language and writing are not limited to ELA classes. Papers, essays, and short responses are used in every kind of class. Speaking is also a class and grade universal. Being able to use language in writing and speaking are skills needed for every aspect of school and in every workplace. Communication is an essential skill in modern society and the way CCSS express the goals of writing and language reflects this idea by stating that speaking and research are necessary to be taught as a part of language and writing.